2012 Summer Workshops

"Ko'ed Corral " Galisteo, NM, Nicholas Trofimuk


DIEGO ROMERO
EARTH, WIND AND FIRE


JUNE 11 - 15



Diego will guide students through collecting and processing local clay, building pinch pots, sanding and burnishing the surfaces, and painting with slips for simple decoration. The week will culminate in an outdoor wood firing of the completed pieces. Students should come prepared with ideas for imagery from their own cultures, personal histories or mythologies to use for surface drawing.

All levels are welcome.




DIEGO
grew up in Berkeley, CA and was educated at the Institute of American Indian Arts in Santa Fe, NM and the Otis Art Institute in Los Angeles, where he studied with Ralph Bacerra. He continued through graduate school at UCLA, studying with Adrian Saxe. His work bridges his cultural duality; his father is a Cochiti Pueblo Indian and his mother is Anglo. His work is included in numerous international museum collections and is prized by private collectors worldwide. Diego’s imagery is drawn from Native American traditions, Mimbres pottery, as well as Marvel Comics and ancient Greek pottery. He currently lives in Santa Fe, NM.






DAVID REGAN
THROWING THE HUMAN FIGURE

JUNE 18 - 22

Model fee: $30



T
he connection between the vessel and the human form is well established. Pots have lips, bodies, bellies and feet. Working from a live model, students will begin by sketching the figure and studying the elements of the body to be created in three-dimensional form. By using hollow volumetric shapes thrown on the wheel, and assembling them when leather hard, students will learn various techniques for using white stoneware clay to create a figurative sculpture. Students will have the opportunity to experiment with David’s signature sgraffito techniques on bisqued tiles. Completed pieces will be bisque fired after the workshop.

Basic wheel throwing skills are necessary.





DAVID REGAN is a Montana-based ceramist who was educated at Rochester Institute of Technology and Alfred University. He is currently Associate Professor at the University of Montana Western. He has exhibited extensively, and his work is included in the collections of the American Craft Museum and the Metropolitan Museum of Art. He is a former resident artist at the Archie Bray Foundation for the Ceramic Arts and received a prestigious 2011 Individual Artist Grant from the Virginia Groot Foundation.

 

 







TIM TAUNTON
WALL FIGURE – WALL RELIEF


JUNE 25 - JUNE 29



W
orking on the wall can provide a framework to explore narrative ideas and figurative imagery in substantial scale. Students in this workshop will create 1⁄2 - 3⁄4 scale half-figures from earthenware clay that will be designed and engineered to mount on the wall. Participants will begin by creating a maquette, and will then learn to translate this to the larger torso form. Photographs will be referenced for details of anatomy and facial features. This method of building can provide a great introduction for beginning figurative work as well as a challenging narrative format for more experienced sculptors. Completed figures will be bisque fired after the workshop.

Open to all skill levels.


 

 


T
IM TAUNTON is a Professor of Ceramics and Sculpture at LaGrange College, in LaGrange, Georgia. He received his BA at the University of Arkansas, did some graduate work at ASU, Tempe and received his MFA from LSU, Baton Rouge. Tim exhibits nationally and internationally, most notably at the 2000 World Ceramic Biennial Exhibition in Yeo Joo, South Korea. His work has appeared in numerous international publications and is included in museum and private collections nationally.







SHAWN SPANGLER
STRUCTURING COMPOSITIONS: EXPLORING WHEEL THROWN FORMS


JULY 2 - 6



Complex, articulated pots are often created by assembling multiple wheel thrown parts. Using porcelain clay, students will begin by creating a variety of components on the wheel, and will then play with editing and arranging these components to make dynamic composite forms. Handles, spouts and lids will then be incorporated to add complexity to the forms. Demonstrations and conversations will address elements of design such as scale, proportion, line and volume. Dry work will be bisque fired.

Basic throwing experience is necessary.






SHAWN SPANGLER recently completed a long-term residency at The Clay Studio in Philadelphia and is currently a Visiting Assistant Professor at Western Illinois University. He holds a BFA in ceramics from Penn State University and an MFA from Alfred University. He was a resident artist in Sanbao, China in 2003, an experience that strongly influenced his work. He exhibits nationally, and has lectured and taught workshops at many venues across the US.






DEBORAH SCHWARTZKOPF
TRICKS OF THE TRADE


JULY 9 - 13



Build exciting, complex forms from simple parts! Students will begin the week exploring basic pattern making and constructing bisque molds. Using cone 6 white stoneware, Deborah will demonstrate techniques for altering thrown forms and incorporating slab components. Students will work to generate a toolbox of elements that can be puzzled together to create expressive pots. Slide shows, discussions and demonstrations will contribute to an inspirational week focused on enlivening your studio practice. Dry work will be bisque fired.

Basic wheel throwing skills are necessary.



DEBORAH earned her BA from the University of Alaska, Anchorage and her MFA from Penn State University. She has taught at Ohio University and Massachusetts College of Art and Design. She was a resident artist at the Archie Bray Foundation for the Ceramic Arts, MT, Mudflat Studios, Boston, The Clay Studio, Philadelphia, and Pottery Northwest, Seattle. After ten years of school, jobs and residencies, Deborah was thrilled to return to her hometown of Seattle, WA. She is currently an instructor at Seward Park Art Studios. She exhibits internationally and teaches workshops across the US.







DIANA FAYT
GRAPHIC CLAY


JULY 16 - 20



Diana describes the surfaces of her pots as “etchings in clay,” through which she is able to combine all of her artistic skills in ceramics, drawing, painting and printmaking. Using bisque and plaster molds, wall tiles and simple forms will be quickly built to be used for surface experimentation. Students will explore a variety of surface applications for three-dimensional ceramic objects. Demonstrations will include layering of slips and underglazes to create rich fields of color, drawing both in the clay and on the surface, the use of oxides and stains, and simple methods for transferring images onto the clay surface. Diana will share her secret firing tips for cone 5 stoneware, and tricks for achieving clean crisp lines in her drawings. Dry work will be bisque fired.

Some clay experience is helpful; all levels are welcome.

 

 

DIANA FAYT was born in Los Angeles and has lived in Northern California for most of her life. She began her education in Photography, Drawing and Graphic Design. She received her BFA in Ceramics and Printmaking from the California College of the Arts. Diana’s work has been featured on the cover of Ceramics Monthly, and in numerous European, Australian and Japanese publications. She currently exhibits her work in galleries and fine boutiques throughout the United States, Japan, Australia and Europe.

 

 






PATRICIA SANNIT
EXCAVATED STRUCTURES


JULY 23 - 27



P
atricia’s work is influenced by her experiences in archeology and study of geology. Students will learn techniques for constructing sculptural forms that celebrate the inherent beauty and natural properties of clay. Working from historical and archeological impetus, students will learn about coil building with slabs, supporting large forms, working with templates, and using tarpaper, wood, and plaster molds. Surface treatments addressed will include the use of sgraffito, carving, incised lines, underglazes, slips and stains. Completed pieces will be bisque fired after the workshop.

Open to all levels.


 


PATRICIA teaches ceramics at Phoenix College in Phoenix, AZ. She received her BA in ceramics at the University of Minnesota where she studied with Warren Mackenzie. She was a student of Viola Frey at the California College of the Arts where she received her MFA. Patricia exhibits nationally and her work is included in many private and public collections. Her most recent project, Citadel, is a large installation based on an archeological site in northern Iraq. It was recently exhibited at the ASU Art Museum Ceramics Research Center.






MARGARET BOHLS
FORM AND VOLUME: SLAB BUILT POTS


JULY 30 - AUGUST 3



Volume is the key element of functional forms; it defines the potential for containment. During this workshop, students will learn how to create inventive volumetric pots using porcelain clay slabs. Margaret will present several strategies for going from flat to three dimensions, including using paper templates, creative cutting and darting of forms, and building in parts. Students will also explore the possibilities for surface embellishment using stamps, molds, sprigs and stencils to texture and adorn their work. Dry work will be bisque fired.

Students should have basic handbuilding experience.



MARGARET previously taught at the University of Minnesota in Minneapolis and at Sam Houston State University in Texas. She has been visiting faculty at Penn State University, Ohio University, and NSCAD University in Halifax, and was a resident artist at the Archie Bray Foundation for the Ceramic Arts in Helena, Montana for two years. She received a BFA from Rhode Island School of Design and an MFA from Louisiana State University. Margaret has taught many workshops at art centers and universities across the country. Her work has been shown in over 100 group and solo exhibitions and is included in the permanent collections of the Minnesota Museum of American Art, the American Museum of Ceramic Art (AMOCA), and in the Sonny and Gloria Kamm Teapot Foundation Collection.







DANA MAJOR KANOVITZ

CONJURING THE FIGURE


AUGUST 6 - 10

Model fee: $30



Dana will demonstrate techniques for creating a realistic human figurative sculpture in 1⁄2 scale. Working from a live model, students will learn to measure and calculate proportional scale. Dana will share her methods for using pattern-making and hollow slab construction to achieve not only accurate anatomy, but also gesture and expression. Detailed demonstrations will focus on facial features, hands and feet, and methods for creating seamless, skin-like surfaces. Students will also be able to experiment with post-firing techniques using oil paints on sample tiles to create realistic flesh tones. Discussions will address the use of wigs and false nails for life-like embellishments to complete the figure. Completed figures will be bisque fired after the workshop.

Basic handbuilding skills are necessary.

 

 


DANA MAJOR KANOVITZ began working with the figure in clay in 1993, during an 18-month apprenticeship under Alexander Zadorin, of the Mukhina Art Institute of St. Petersburg, Russia. She has exhibited nationally and her work has been featured at SOFA and the Bridge Art Fair in Miami. Dana was a 2007 summer resident at the Archie Bray Foundation for the Ceramic Arts. She received her BA in Philosophy from DePaul University and her MFA from The School of the Art Institute of Chicago. Dana lives in Chicago, IL where she maintains her studio at the Zhou Brothers Art Center.






CLAUDIA OLDS GOLDIE
SCULPTING THE FULL FIGURE


AUGUST 13 - 17



Claudia finds great beauty in the full figured female. Her figurative sculptures spring from both her imagination and from keen observation. Through her figures she is able to delve into the exploration of personality, dreams and relationships with both humor and sensitivity. Students will learn to create a 24” figurative sculpture – male, female, thin or robust – in high fire white stoneware using slab, pinching, coiling and modeling techniques. Participants will investigate gesture while exploring anatomy in movement. Students will learn to draw with graphite pencil and powder on fired clay as a surface option. Come with your imagination, a sense of humor, and the understanding that the imperfect figure is beautiful!

All levels are welcome.


 

 

 

CLAUDIA received her BFA in Sculpture from Boston University College of Fine Arts with post-graduate study in metal work at B.U. School of Artisanry. She founded the sculpture program at Dexter and Southfield Schools in Brookline, MA, where she has taught elementary and middle school students for many years. A passionate studio sculptor, Claudia is interested in experimental ways to incorporate her interest in drawing, printmaking and multi media into her ceramic work. She exhibits her work nationally and has won a number of prestigious awards including the Society of Arts and Crafts Artist Award and a Kiln God residency from Watershed Center for Ceramic Arts.









2011 SUMMER SLIDE LECTURE SERIES:
WEDNESDAY NIGHTS
   
Diego Romero
June 13
David Regan
June 20
Tim Taunton
June 27
Shawn Spangler
July 4
Deborah Schwartzkopf
July 11
Diana Fayt
July 18
Patricia Sannit
July 25
Margaret Bohls
August 1
Dana Major Kanovitz
August 8
Claudia Olds Goldie
August 15
 
FREE • Open to the Public
Slide Lectures start at 7:00 pm
Wednesdays at Santa Fe Clay
505-984-1122
545 Camino de la Familia
Santa Fe, NM 87501






2012 Summer
Tuition for all Workshops $525
Lab Fee for all Workshops $50
Non-refundable registration fee $50


Important Information

SANTA FE CLAY Ceramic Art Center
About Our Studio

Santa Fe Clay occupies a 10,000 square-foot warehouse in the historic Railyard District in downtown Santa Fe. Our facility includes a complete retail supply business, gallery, and fully equipped studio. It is also home to twenty resident ceramic artists. Our year-round classes and workshops provide an inspirational and creative environment for students ranging from children to adults, from beginners to professionals. This will be our eighteenth Summer Workshop Session, and our reputation is firmly established for bringing quality programming, including nationally recognized artists, to the Santa Fe area. Our expanded gallery enhances the scope of the Southwest’s most complete Ceramic Art Center. We are open to the public year-round and visitors are always welcome to tour the shop, gallery and studios.

REGISTRATION
Enrollments for our workshops are limited and will be accepted on a first-come, first-served basis. We require full tuition, lab fee, and a $50 non-refundable registration fee for enrollment. We accept personal checks, money orders, travelers' checks and Visa, Mastercard, American Express or Discover. Registration is non-transferable. There will be a $50 fee to switch from one workshop to another, space permitting, within 30 days of the original workshop.

REFUNDS
Because of our obligations to our instructors, no refund of any payment will be made for notification of withdrawal within 30 days of the start of the workshop. Prior to that time, we will refund your tuition minus the $50 non-refundable registration fee and a $100 cancellation fee.

WORKSHOP CANCELLATIONS
We reserve the right to cancel a workshop if minimum enrollments are not met, in which case all tuitions and fees will be refunded. Notification of cancellation will be made by phone, at which time students will be offered the option of another workshop (based on availability) or a full refund. Sorry, but we cannot be responsible for non-refundable travel tickets.

ACCEPTANCE/WAITING LISTS
You must be at least 18 to participate in our workshops, or have permission in advance from the teacher before registering. When we receive your registration we will send confirmation and specific workshop information. If the workshop is full, you will be notified that you have been placed on a waiting list.

SKILL LEVELS
Our workshops are designed for serious ceramic students of varying ability levels. Please note the requirements in the workshop descriptions. If you have any questions about your placement, please contact us.

LAB FEES
Each workshop lab fee includes the costs of clay, glazes, firings, and other materials as specified by the instructor.

ACCOMMODATIONS
The Santa Fe Sage Inn is pleased to welcome Santa Fe Clay students. Conveniently located only two blocks from our studio, this is an excellent choice for affordable lodging in downtown Santa Fe. This locally owned property offers attractive, comfortable rooms with a wealth of amenities including continental breakfast, exercise facility, guest laundry, outdoor pool and complimentary wireless high-speed internet. Parking is free, and a free shuttle service is offered for guests seven days a week. Our rates: single or double room $72/night, based on availability. Room rates go up on holiday and festival weekends: July 13-15, (International Folk Art Market), and Aug. 17-19, (Indian Market). Call 866-433-0335 to make reservations, or go online at www.santafesageinn.com. You must mention that you will be taking a workshop at Santa Fe Clay to receive our rate, and we recommend that you make your reservations as soon as you have enrolled in your chosen workshop.

If you would prefer to arrange your own accommodations, you may call or write to:

Santa Fe Detours, sfdetours.com, 800-338-6877
Santa Fe Convention and Visitors Bureau, santafe.org, 800-777-2489
or Santa Fe Stay, santafestay.com, 800-995-2272

TRAVEL AND CLIMATE
The Santa Fe Airport is now served by American Airlines. Most major airlines serve Albuquerque International Sunport, 65 miles south, and shuttle bus transportation is available from the airport to downtown Santa Fe. The brand new New Mexico Rail Runner has regular scheduled trains between Albuquerque and Santa Fe as well. In this high desert climate, at 7,000 feet, our summer days are usually sunny and warm with daytime temperatures rarely exceeding 85 degrees. During July and August, we look forward to brief and dramatic thunderstorms and evening temperatures dropping to below 60 degrees. Our facility is within walking distance of many excellent restaurants and the major museums and galleries for which this town is famous.

THE GALLERY
Our elegant 1,100 square foot gallery hosts monthly exhibitions displaying the best national and international ceramic artwork. Our shows include one person, two person and group exhibitions in which we honor the leaders in the field and introduce emerging artists. Please check our website at www.santafeclay.com for upcoming gallery events and to view our current show. OUR GALLERY IS TOTALLY ONLINE!


Tel: (505) 984-1122, Email: sfc@santafeclay.com